Pages (no.11), 2011

Erin Shirreff trained as a sculptor but now works in a range of media including film and photography. Her work blurs the boundaries between sculpture and photography, abstraction and representation, and references the work of modernist artists and the Russian Constructivists. Her collage series, Pages, piece together black and white reproductions of mid-twentieth century sculptures, demonstrating that sculpture can be crafted in two dimensions.